Nonindifferent Nature: Film and the Structure of Things by Sergei Eisenstein

By Sergei Eisenstein

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Sample text

And this interna-r jìr,lftapositioning of two contrasting erements of ecstasy and patåos arso demande¿ variea methods for their embodi_ ment' And the expressive means for the embodiment of these adjoining scenes natuÌauy "statified" into various areas, according to different dimensions of ñrnctional means. Easter rerigious crusade and the "prayer for rain,, absorbed prlmarilV the playacting - or, better said, ,theatrical,, _ means of influence through huyran behavior (not ifnoring, ofcourse, at the orher possibilities wit'in the a¡senar or òinemä methods The separator scene, after at, basica'y reried and tóchniques).

Of being beside itself. 9, for o

The silk department represented a large room prcpaled just for love... Here were all the milk-white nuances of the body of an adored woman, beginning with the velvet hips and ending with the fine silk of the thighs with the gleaming satin of the breast. . * [Translated from the French her thighs, as need ror the rear of metal, marble, and semi precious st rose of her feminine nature between .. il:"u"n . Who had painted"tÏnarv this idol of an piled up, began to live real Christina "a-rose" and was incarnated into this figure.

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