Japanese Dolls: The fascinating World of Ningyō by Alan Scott Pate

By Alan Scott Pate

The interesting global of eastern doll collecting

For centuries, jap doll artisans created unbelievable artistic endeavors, invested with either major cultural which means and elemental attractiveness, encased within the deceptively easy physique of a doll.

Japanese Dolls: The attention-grabbing global of Ningyo, is a cornucopia of data for jap artwork creditors, Asian doll creditors and doll fans of all degrees and pursuits. jam-packed with appealing images, the publication info 18 varieties of greatly amassed, available and cheap, old and classic dolls and collectible figurines (ningyō).

Author Alan Scott Pate—the major American professional on eastern dolls—writes in illuminating element in regards to the traditions of every kind of doll and stocks useful the right way to acquire this impressive eastern paintings shape. integrated are:

Festival dolls: hina-ningyō, musha-ningyō, tableau dolls
Display dolls: saga-ningyō, gosho-ningyō, isho-ningyō, iki-ningyō
Wood dolls: kamo-ningyō, nara-ningyō, kokeshi-ningyō
Clay dolls: fushimi-ningyō, hakata-ningyō
Mechanical dolls: karakuri-ningyō, kobe-ningyō
Theatrical dolls: bunraku-ningyō, takeda-ningyō
Play dolls: ichimatsu-ningyō, keue saiko

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Extra resources for Japanese Dolls: The fascinating World of Ningyō

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Separation from identification, and so entry into the Symbolic, is represented by ‘the name of the father’ (Lacan 1953:67). ‘It is in the name of the father that we must recognise the support of the symbolic function’ (Lacan 1953:67). If this is interpreted in gender specific terms, as Lacan’s language indicates, it too causes problems for the feminist. However, if we comprehend the meaning without necessarily adhering to the limits of gender specificity, it is a helpful means of understanding the state in which the psychotic patient is trapped.

1994a) ‘Analytical art psychotherapy: further reflections on theory and practice’, London: Inscape 2. ——(1994b) ‘The transactional object: art psychotherapy in the treatment ofanorexia’ , British Journal of Psychotherapy 11(1): 46–61. ——(1995) Desire and the Female Therapist: Engendered Gazes in Psychotherapy and Art Therapy, London and New York: Routledge. Schwartz-Salant, N. (1989) ‘Archetypal foundations of projective identification’, in The Borderline Personality: Vision and Healing, Wilmette, Illinois: Chiron.

Does this relate to Jung’s description of ‘entropy’ or to Lacan’s ‘lack in being’? I suggest that it does; and that what is missing in Alice’s experience is a sense of being linked to others in a meaningful manner. ‘The “I” feels and knows itself only insofar as it takes itself as a member of a community, insofar as it sees itself grouped with others into the unity of a family, a tribe, a social organism’ (Cassirer 1955b: 175). It is this, it is community, which Alice’s account seems be struggling to find and yet somehow she keeps missing the point.

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