Art in England, 1821-1837 / Искусство Англии 1821-1837 гг. by William T. Whitley

By William T. Whitley

Paintings in England, 1821-1837 / Искусство Англии 1821-1837 гг. КУЛЬТУРА и ИСКУССТВО, ЖИВОПИСЬ и РИСОВАНИЕ Автор: William T. Whitley Название: artwork in England, 1821-1837 / Искусство Англии 1821-1837 гг. Издательство: Cambridge collage Press Год: 1930 Формат: pdf (rar + 5%) Размер: 41.93 Мб Язык: АнглийскийIts item is to offer info, extra to that already released in books at the topic, about the historical past of artwork in England from 1821 to 1837 whilst the Victorian period commenced.Книга об искусстве Англии начала Викторианской эпохи.0

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Additional info for Art in England, 1821-1837 / Искусство Англии 1821-1837 гг.

Example text

Pleased with this The purchase". , who died weeks after his election to executor, said that Academy of few an Associateship. His and nephew Mr Rice, wrote to the it to the in April of this year a had always been Council soon after his death and the wish of Edridge that the Academy should possess this portrait, which he would send to would be acceptable. Marchi, who was the first pupil of Sir Joshua and worked for him for many years, was born in Rome and came to England with his master in them if it Moser, who knew Marchi well, 1752.

By his genius, Haydon appears to have believed that Farington was chiefly instrumental in causing the resignation of Sir Joshua in 1790. Of this there is no proof, although it is known that Farington 21 ART [/&/] IN ENGLAND voted against the President in the division about BonomTs drawings. But a well-informed reviewer of Williams Life of Sir Thomas Lawrence in the New Monthly Magazine of 1834 appears 5 to have had the same idea. biographies of artists written The Life of Sir He by says in artists commenting on the : Joshua by Farington was written under a compunctious for the unprovoked visiting of nature, as an offering of retributive justice conduct by which he had assailed the latter days of this great artist and amiable man.

Stanley was one of the earliest advocates of the opening of picture galleries and museums on Sundays. Soon after the exhibition of her husband s work in 1822 Mrs Cosway returned to Italy, in which country she was born and in educated, although of English parentage. But before leaving for the Continent she paid a visit to Scotland, apparently out of had no connections there, and in Edinburgh met Mrs Grant of Laggan, upon whom she made a most favourable impression. Mrs Grant says, writing to a friend on May 8th, curiosity as she 1822: the strangers I have seen of late none pleased me so much as Maria Cosway, who is going to reside in her native Italy, but came down to see Scotland before she takes farewell of Great Britain.

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